CATALAN INSTITUTE FOR CULTURAL COMPANIES FROM THE MINISTRY OF CULTURE OF CATALONIA
The Catalan Institute for Cultural Companies, the agency within the Ministry of Culture of Catalonia which helps and promotes cultural companies, has supported the European Film Academy from the very beginning with the firm belief that it is essential to be part of an organisation which not only promotes and gives visibility to European cinematography but also provides tools for its development. Catalonia hosted in 2004 the first gala of the European Film Awards in Barcelona. Years later, specifically in 2008, the Catalan Film Academy started its activity in Catalonia. Since then it was clear that the Catalan Institute for Cultural Companies had to be one of the patrons of EFA. The main aims of the Catalan Film Academy are to promote Catalan cinema, unite the profession and achieve international recognition. The Ministry of Culture of Catalonia as well as the Catalan Institute for Cultural Companies firmly believe in the importance of working to strengthen both Catalan cinematography and the dialogue with European cinema. In this respect, EFA is the best platform for European cinematographic stakeholders to join efforts so that European film culture continues to be of the biggest international relevance.
At Centre du Cinéma, we believe that cinema is a major factor for deepening the European identity. We are proud and happy to support the European Film Academy which remains a great window for the image of European films world-wide. We also believe that EFA will be an effective tool and help European decision makers understand the role of European cinema in the preservation of cultural diversity.
France has successfully created an ambitious public policy based on cultural diversity. With 56 co-production agreements and programs for supporting film directors wherever they come from, France is the friend of all cinema world-wide. Seventy years after it was founded, the CNC continues to consolidate its role as an original ecosystem, envied and even imitated in many countries. Its aim is to fund the most singular French and international artists, to regulate the film and audiovisual markets, and also to maintain and promote the memory of the cinema of the past. Through its partnership with the European Film Awards, the CNC is re-affirming its cultural ambition, that of a fraternal Europe, driven by culture. This Europe is a wonderful idea because it is a message of hope and of dialogue between cultures that resounds world-wide.
Head of Film Funding / Interim CEO
photo: Robin Skjoldborg
We are living in times of great change. The film industry, too, is characterised by fundamental game changers. European cultural politicians and institutions must relate to the new reality for content production within a globalised and digitised media world, where mega companies like facebook, netflix and google are setting the agenda. This makes it even more important to maintain the strength and quality of cinematic narratives which take a local starting point to tell universal stories that are touching, challenging and entertaining. EFA celebrates these very qualities, and the Danish Film Institute is delighted to be a part of that celebration.
Roberto Olla, Executive Director
For more than 25 years Eurimages has supported a wealth of international co-productions and has made a major contribution to promoting cultural diversity through cinema. The Fund has a rigorous selection process and encourages producers to strive for excellence in independent cinema. We are proud to be associated with the European Film Awards and to be able to honour highly talented producers who are passionate about independent cinema with the European Co-production Award - Prix Eurimages.
Film Finances are proud to be associated with the European Film Awards. Film Finances is the world leader in completion guarantees. We help movies get to the big screen. We provide financiers with a service that gives them an assurance that the film will be delivered on time and that the over-budget costs will not be the financier's responsibility.
EFA gives us the opportunity to participate in the future of European films.
The Luxembourgers are on board! It is with great satisfaction and pleasure that the Luxembourg Film Fund support the European Film Awards. Our national film industry lives above all through European co-productions and for the Grand Duchy of Luxembourg it is absolutely important that the work and talent in all these films should be recognised and rewarded.
Foto: Ola Kjelbye
Film i Väst – Your Scandinavian Partner in Co-Productions
Pierre Drouot, CEO
Besides our strong belief in European cinema, we also believe in the European Film Awards as probably the best instrument on hand today in the promotion and marketing of the wide and colourful variety European cinema has to offer. Therefore we are extremely proud and excited to be among the European Film Academy’s patrons.
The Icelandic Film Centre supports the development, production and distribution of Icelandic films and promotes film culture in Iceland. One of our most important tasks is to encourage strong ties between Icelandic filmmakers and the international film community. In recent years we have welcomed many European productions to our shores, and our own films and filmmakers have benefited enormously from collaborations with our European partners. We’re proud to be a patron of the European Film Academy and we look forward to a strong and fruitful relationship well into the future.
INSTITUTO DO CINEMA E DO AUDIOVISUAL (ICA)
Luís Chaby Vaz
ICA–Instituto do Cinema e do Audiovisual– was created in 2007, succeeding ICAM (Instituto do Cinema, Audiovisual e Multimedia). Responsible to the Ministry of Culture, ICA 's main tasks are to support production, distribution, exhibition and promotion of Portuguese cinema and audiovisual products, within the country and abroad.
Providing ongoing financial support for independent production, ICA seeks to contribute to the construction of a solid and integrated industry in Portugal.
ICA also supports the promotion of Portuguese cinema and audio-visual media in all international film festivals, as well as providing assistance to help to ensure the presence of producers at various events.
ICA is glad to support the European Film Academy and we strongly believe this is an important opportunity to promote European film among ourselves as well as outside European borders.
James Hickey, Chief Executive
Supporting Irish creative talent in film is the main thrust of the policy of Bord Scannán na hÉireann/the Irish Film Board. We are delighted to join with our European colleagues on supporting the European Film Academy and in particular its awards ceremony which recognises European creative talent in film. Major challenges face European film in the years ahead. In becoming a patron of EFA we see this as an opportunity to participate in the dialogue about the future of European film where the focus is on the strength and diversity of European creative film output. Ireland has a long history of contribution to and vigorous engagement with all aspects of European Culture.
Roberto Cicutto, President & CEO
lstituto Luce - Cinecittà is the state-owned company whose main shareholder is the Italian Ministry for Culture, subsidising its activities on an annual basis.
The Kosovo Cinematography Center is a public film fund of the youngest country in Europe aiming to rebuild the historically interrupted film tradition and giving space to accumulate filmmaking talents. Being part of EFA is an honour for us, and a great opportunity to network with other European fellow bodies in developing the film industry.
The Lithuanian Film Centre is proud to join the European Film Awards’ patrons. Representing our small film community, which has a strong artistic tradition and passion for co-production, we feel that it is essential to contribute to the celebration of European film culture.
The European Film Awards are a powerful embodiment of creativity and diversity in cinema, which our talented artists and skilled producers will share with the audience through their own stories. We look forward to the new discoveries ahead of us.
Culture plays a fundamental role in constructing our societies.
With this in mind, the European Parliament launched the LUX FILM PRIZE in 2007 with the aim of enhancing the circulation of European films across Europe and sparking Europe-wide debate and discussion of major societal issues such as immigration, integration, poverty, freedom of expression and women’s rights.
The LUX FILM PRIZE is a unique initiative. While most European co-productions are shown only in their country of origin and are rarely distributed elsewhere, the LUX FILM PRIZE gives three European films the rare opportunity to be subtitled in the EU’s 24 official languages, screened and discussed across Europe.
We are very proud to join the family of the European Film Academy, the best place to showcase the richness of European Cinema.
Mimi Gjorgoska Ilievska
The Macedonian Film Agency as a legal successor of the Macedonian Film Fund will continue to be a patron of the European Film Academy. Being associated with the European Film Academy gives us a wonderful opportunity to affirm our orientation for the equal treatment and support of national and international co-productions as a way of providing international distribution, recognition and promotion of European films. In that way, the European Film Awards are a celebration of the annual film creativity and a great tool for the promotion of European films and filmmakers!
Costas Kadis, Minister of Education and Culture of the Republic of Cyprus
Cyprus’ Ministry of Education and Culture is pleased to be associated with an organisation, having as its central aim to promote Europe’s film culture. I strongly believe that, by supporting the European Film Academy, we support European excellence in cinematographic works, communicate European values, as well as strengthening dialogue between different countries.
Doreen Boonekamp, CEO
Foto: Yvonne Witte
Dutch arthouse films, documentaries, animation and especially children and family films enjoy increasing international success at major international film festivals world-wide. For a small country with a limited language area it is extremely important to belong to a strong and vibrant European film culture with its own values and distinct character. Dutch filmmakers are extending their focus to other European countries and beyond. They are actively participating in both majority and minority Dutch co-productions in order to exchange knowledge and creativity to raise the artistic level of productions and to stimulate the circulation of films across borders. We feel strongly connected to the European Film Academy which plays a vital role in presenting and warding European talent globally and we are honoured to be a patron.
photo: Marcin Kułakowski/ Polish Film Institute
Since its launch in 2005, the Polish Film Institute has been actively supporting the development of Polish cinema, particularly arthouse cinema.
Supporting projects by first-time directors and producers had brought about a distinct new generation of filmmakers. The Polish Film Institute encourages international co-productions that stimulate growth on the European audiovisual market. It is thanks to co-productions that various European backgrounds and sensibilities are able to interact and complement each other. The power of European cinema lies in its diversity. In 2016, Poland had the honour of hosting the European Film Awards for the second time. This unique ceremony celebrates all European filmmakers, allowing them to feel like an integral part of the European filmmaking family.
Delegate for Urban Habitat, Culture and Tourism for Seville City Council
Seville’s City Council through its Institute of Culture and Arts organizes each November the Seville European Film Festival. Nowadays, European filmmaking is showing an extraordinary creative strength, full of new, different proposals to be explored and discovered. It is no exaggeration to say that new blood is running underground and above the surface in the old continent. Our festival is committed, through the fresh impetus of its director, José Luis Cienfuegos, to promote and encourage both the long creative tradition of renowned veteran filmmakers and the eagerness of the new talents - a goal that we proudly share with the EFA which honours our city and festival by announcing in Seville the nominees for the European Film Awards.
Anna Serner, CEO
Film is essential for a democracy. Without it, many voices would never be heard, and all kinds of stories never be told. Thanks to the EFA, we are given a chance to see the fantastic diversity in Europe and share our realities, creating an understanding across the borders. My colleagues and I at the Swedish Film Institute are very proud to be one of the patrons of the EFA and present our Swedish films, just as much as we are looking forward to discover other important stories from all over Europe.
Catherine Ann Berger
SWISS FILMS is the promotion agency and ambassador for Swiss cinema. We promote our films and talents at festivals and markets worldwide and help enhance their international visibility through curated bespoke film programs. We are proud to be one of the European Film Academy’s patrons and honoured to contribute to the unique power of Europe’s diverse cinematic voices by helping to bring our best films to your screens.