European Film Academy Honours Márta Mészáros with European Lifetime Achievement Award

On the occasion of this year’s 34th European Film Awards and in recognition of a unique contribution to the world of film, the European Film Academy takes great pleasure in presenting Márta Mészáros with the award EUROPEAN LIFETIME ACHIEVEMENT for her outstanding body of work.

Márta Mészáros on the set of DON’T CRY, PRETTY GIRLS!
Photo: Gyula Szóvári

Born in Hungary, Márta Mészáros grew up in the Soviet Union where her father disappeared in the Stalinist purges shortly before her mother died. Márta was placed in a Soviet orphanage and only returned to her native Hungary after WWII. She studied Film in Moscow and started her career making 25 short Romanian and Hungarian documentaries over the next ten years.

In 1968 she made her first feature film THE GIRL, about a young woman’s search for family. It was Hungary’s first feature film directed by a woman. Her international breakthrough came in 1975 when she won the Golden Bear – the first one for a female director – in Berlin with ADOPTION, the intimate portrait of the bond between a lonely middle-aged woman and a 17-year-old girl.

NINE MONTHS, about the life and love of a young woman who works in a factory, won the FIPRESCI Prize in Cannes (1977). This was followed by JUST LIKE AT HOME, about a man returning to Hungary from America and befriending a girl, won the 1978 San Sebastian Silver Shell.

Marta Mészáros returned to Cannes in competition in 1980 with THE HEIRESSES about a Jewish shop girl who is commissioned by her sterile friend to have a baby.

Her films often pick up her own experiences or what her family went through, most evidently so in her “Diary” films. The first of these, DIARY FOR MY CHILDREN, introduces us to teen-aged Juli, an orphan struggling to become an independent woman. It won the Cannes Grand Prix in 1984. DIARY FOR MY LOVES (1987) follows Juli to Moscow where she studies Film and back to Hungary and the turmoil of the time. The film received the Silver Bear in Berlin. In DIARY FOR MY MOTHER AND FATHER (1990), Juli is growing up to be a director in Hungary after the 1956 uprising. It won the EuropaCinema Platinum Award in Viareggio.

She also made a film about Imre Nagy, the leading figure of the 1956 Hungarian Revolution (THE UNBURIED MAN, 2004).

Her latest film, AURORA BOREALIS (2017) looks back at post-war Vienna from an unusual mother-daughter angle.

Throughout her courageous and innovative films, Márta Mészáros has been devoted to depicting the lives of women, giving a voice to independent and complex women.

It is a great pleasure for the European Film Academy to present European Lifetime Achievement to Márta Mészáros, one of the most significant female directors, for her impressive dedication to cinema. In the 34 years of its existence, this is the first time the Lifetime Achievement Award goes to a female director from Central/Eastern Europe.

On the occasion of this honorary award, and in partnership with the European Film Academy, MUBI will present a focus on Márta Mészáros from mid-November on, highlighting a selection of her films.

She will be an honorary guest at the 34th European Film Awards Ceremony on 11 December in Berlin – streamed live on www.europeanfilmawards.eu

Since its successful pan-European launch in November 2022 Europe’s own film and award season, the Month of European Film has been growing continuously: Starting with 35 partners from 35 countries in 2022, the Month of European Film collaborated in 2024 with 108 partners from 42 countries. The number of screenings of European films within the initiative rocketed from 1,553 in 2022 to 9,310 in 2023 to 16,140 screenings in the 2024 edition. Admissions increased from 61,199 in 2022 to 164,206 in 2023 to almost half a million admissions (467,697) in the last year. The participating partners reported that their activities during the Month of European Film increased audience interest in European films and it also makes them want to programme more European films in the future. This is the result of an evaluation with the participating partners of this unique initiative.

“The European Film Academy senses growing interest in Europe for an ‘award season’ celebrating the best European cinema has to offer,” says Mattthijs Wouter Knol, Academy CEO and Director. “With the Month of European Film we build a network and a window for the simultaneous celebration of European cinema and to bring the diversity of European film closer to home for many people: first of all to their local cinema. Only three years into the initiative we are proud and happy that the Month of European Film is becoming more and more visible across Europe and is attracting a significantly growing number of visitors from Norway to Malta, from Portugal to Georgia. In the upcoming years until the European Film Academy’s 40th anniversary in 2028, we will further build a European ‘award season’ with our partners. It is time to deepen the awareness of European film culture. It is time to bring us as Europeans closer together through the culture and values we share: cinema has that power.”

Feedback from the audience regarding the Month of European Film was also very positive: The partners reported that in an audience survey cinema visitors from across Europe saw the Month of European Film as an important celebration of European culture. They said the Month of European Film has raised their interest in European films significantly and that they would like to see more European films. It also made them feel more united with fellow Europeans.

This year, the Month of European Film will start with the nominations announcement on Tuesday 18 November 2025, with cinemas all over Europe offering a tailor-made programme for their local audience. The Month of European Film will have its grand finale on Saturday 17 January 2026 with the celebration of the European Film Awards in Berlin.

The Month of European Film is an initiative of the European Film Academy supported by the Creative Europe MEDIA Programme of the European Union, in co-operation with Europa Cinemas, CICAE, MUBI, DAFilms, Festival Scope, as well as numerous other European and local partners.

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