These places are now memorial sites that are open to the public and receive thousands of tourists every year.
The film’s title refers to the eponymous novel written by W.G. Sebald, dedicated to the memory of the Holocaust.
This film is an observation of the visitors to a memorial site that has been founded on the territory of a former concentration camp. Why do they go there? What are they looking for?
Do these buildings belong to the territory? To the right, to the left, downwards, there is a fence and the entrance is built in perfect symmetry. People walk around behind the fence – tourists. All of them follow a strict logic. From one area filled with charcoal and framed with white stones to the next. A sign, a barrack number, next sign, next barrack number, infirmary, a barn.
People walk around alone or in groups. They look into windows and doors, stand at the information desks. People are interested in everything – each rock, every inscription.
This is the place where people were exterminated; this is the place of suffering and grief.
And now, I am here. A tourist. With all the typical curiosities of a tourist. Without any notion of what it was like to be a prisoner in the concentration camp having a number, every day waiting for death, clinging to life. I stand here and look at the machinery for the extermination of the human body. Traces of life, sometime ago, long ago, here and now.
What am I doing here? What are all these people doing here, moving in groups from one
object to another?
The reason that induces thousands of people to spend their summer weekends in the former concentration camp is one of the mysteries of these memorial sites. One can refer to the good will and the desire to sense compassion and mercy that Aristotle related to tragedy. But this explanation doesn’t solve the mystery. Why a love couple or a mother with her child goes on a sunny summer day to look at the ovens in a crematorium?
To try to come to grips with this, I made this film.
internationally acclaimed documentary films. His two feature films, MY JOY (Schastye moe, 2010) and IN THE FOG (V tumane, 2012) had their world premieres at the Festival de Cannes, where IN THE FOG received the FIPRESCI prize. Loznitsa’s feature-length documentary film MAIDAN, dedicated to the Ukrainian Revolution, premiered in 2014 at the Festival de Cannes. His feature-length documentary film THE EVENT (Sobytie) that revisits the dramatic moments of August 1991 in the USSR, a failed coup d’état attempt (known as Putsch) premiered at
la Biennale di Venezia in 2015 and was in last year's EFA Documentary Selection.
2015 THE EVENT (Sobytie)
2014 THE OLD JEWISH CEMETERY (Staroe evreiskoe kladbische)
2014 MAIDAN (Maidan)
2014 REFLECTIONS (Otrazheniya)
2012 THE LETTER (Pismo)
2012 THE MIRACLE OF SAINT ANTHONY (Tchudo sviatogo Antonia)
2008 NORTHERN LIGHT (Severniy svet)
2008 REVUE (Predstavlenie)
2006 ARTEL (Artel)
2005 BLOCKADE (Blokada)
2004 FACTORY (Fabrika)
2003 LANDSCAPE (Landshaft)
2002 PORTRAIT (Portret)
2001 SETTLEMENT (Poselenie)
2000 THE TRAIN STOP (Polustanok)
1998 LIFE, AUTUMN (Zhizn, osen)
1996 TODAY WE ARE GOING TO BUILD A HOUSE (Segodnya mi postroim dom)
2017 A GENTLE CREATURE
2012 IN THE FOG (V tumane)
2010 MY JOY (Schastye moe)
Cast & Crew
Directed by: Sergei Loznitsa
Written by: Sergei Loznitsa
Produced by: Sergei Loznitsa
Cinematography: Jesse Mazuch, Sergei Loznitsa
Editing: Danielius Kokanauskis
Sound Design: Vladimir Golovnitski
Nominations and Awards
- European Documentary 2017
- EFA Documentary Selection 2017