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Director's Statement
n Portugal, and in Europe, the last few years have caused a brutal re-definition of the way in which we look at the world. A lack of prospects and valid discourses about the present has often made us feel ineffectual.
THE NOTHING FACTORY stems from there.
The closing of an elevator factory (one of many that close every month in the industrial outskirts of Lisbon) works as a microcosm and a parable for dramatically exploring the textures and consequences of the feeling of impotence that most people felt during that time.
Under the shadow of bankruptcy, the characters try to stay afloat and look for ways to re-shape their lives. Driven by a sense of urgency and some kind of life instinct that remains, as they witness the collapse of their jobs and the institutions they believed in, they are forced to embark, with reluctance and fear, in an unforeseen experience, a collective adventure.