This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.
Privacy Overview
Strictly Necessary Cookies
Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.
If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.
3rd Party Cookies
This website uses Google Analytics to collect anonymous information such as the number of visitors to the site, and the most popular pages.
Keeping this cookie enabled helps us to improve our website.
Please enable Strictly Necessary Cookies first so that we can save your preferences!
Director's Statement
In Nathaniel Hawthorne’s short story “The Artist of the Beautiful,” the watchmaker Owen creates a beautiful mechanical butterfly as a gift for his childhood friend, Annie, now a wife and mother. She is astonished as the creature flutters forth from a carved box, exclaiming, “Beautiful! Beautiful! Is it alive? Is it alive?” When the creature alights on her finger, she turns to Owen and says, “Is it alive? Tell me if it be alive, or whether you created it.” Owen replies, “Wherefore ask who created it, so it be beautiful?” Later on, an imprudent boy cruelly destroys the insect.While I was filming LAST MEN IN ALEPPO, we kept focus on the military targeting of hospitals over a few years. Hospitals were demolished. Medics as well as patients were killed. The systematic targeting of hospitals was used as revenge, intimidation and a method to create chaos and force citizens to flee. No international countermeasures were introduced to stop these barbaric and vengeful attacks.It became impossible for the health sector to exist on the surface, so hospitals were built underground. I was able to visit a number of them, and it was astonishing to witness the human ingenuity at work. These hospitals became the only hope for people to survive and receive treatment. And they provided a place where men and women could work together. In fact, these limited underground spaces might be the only places where women can work.In "the Cave", I witnessed how these female doctors and nurses are fighting to reclaim their rights in these subterranean hospitals. They stand up for themselves, which is something they couldn’t do aboveground in the patriarchal culture surrounding them. These women are truly an inspiration to me, and I believe with this film they will inspire the world as well — contributing to breaking the silence of the outside world. If the silence toward the brutality isn’t broken and if no measures are taken against war crimes, then there is a problem in man’s universal claim to possess the rights of freedom, law and justice.The current time in history is frightening because people are keener to glorify power. Like Hawthorne’s “The Artist of the Beautiful,” I wanted this film to be poetic — a film that helps us to look into the darkest corners of our souls and to inspire us to search for the light.Feras Fayyad