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Director's Statement
I didn’t want my wish for an authentic film about prison to abide by an aesthetic of a pseudo-documentary with a handheld camera or a messy environment and subdued lights. I wanted to create a dynamic camera, staying light and fluid, which can focus on inmates faces and Etienne’s. It should be attentive, waiting for moments of surprises and revelations in the narrow spaces of rehearsals. Theatre scenes answer to the closed universe of prison, they give an escape, an urban and rural perspective, they are likely to share with us the vertigo experienced outside by the prisoners. This vertigo is also present in Beckett's work, it shows us the absurdity of existence, expressed all the more strongly in the prison universe, as I felt it when I visited. It is indeed this Beckettian experience that I wish to share with the greatest number in this fully assumed, social and societal, serious and joyful comedy. I want for it to question us without didacticism on the necessity of confinement and the liberating power of culture.