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Director's Statement
SUMMER BOOK is a film about the pace and rhythm of life in a small provincial city. Silifke, the town where the film was shot, is in the Mediterranean region and very close to the coast. Despite its beauty and great positioning, the town is rarely visited by tourists and is far from the cliché portrayal of Mediterranean towns, full of friendly, joyful and loud people. It is, instead, a bleak and incomplete city.
I am very much interested in the dramatic potential of non-dramatic moments in life. Presentation of dramatic moments without dramatization is the other face of my approach. Thus, on one hand I feel very connected to European minimalist directors like Bresson and the Dardenne brothers, and on the other, to Asian masters like Hou Hsiao-hsien, Edward Yang, Kiorastami and Ozu. The combination of long wide shots with functional close-ups with amateur actors, minimal acting and natural lighting will determine the style and atmosphere of this film. I think a film should try to be as loose as life itself.