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Director's Statement
For a long time, I had considered an idea for a film set during the Occupation with the cinema industry as a background. Jean Aurenche had told me lots of stories which formed a series of episodes which were delightful, touching, compelling and dramatic. But I needed an angle, a real point of view. I only thought of making Aurenche into a character in the script after his death. Then I met Jean-Devaivre whose first two films, "The Farm of Seven Sins" and "The 11 O'Clock Lady", had made a big impression on me when I saw them when I was 18: I wanted to see these films again, to have them re-released and also to meet their "author". That is how Thierry Fremaux and myself invited Jean-Devaivre to the Institut Lumiere in Lyon in 1993. I met a man who had lived through some extraordinary experiences and I said to myself that we could mix both destinies, both journeys.