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Director's Statement
The subject of this movie was inspired by current events, but I wanted to go beyond that, towards a mysterious feeling to be searched for during filming itself. I was fascinated by the idea of ​​making a movie not inside a city, but inside a neighbourhood, as if it were a chessboard, and that’s why all the streets, houses and individuals that appear in NOSTALGIA are exclusively from the Rione Sanità neighbourhood, a Neapolitan district detached from the sea. The neighbourhood swallows everything: the distant years of the movie’s setting, the Middle East - where the protagonist has eventually ended up - , the dreams, the challenges, the faults. I invited actors and crew to immerse themselves in the neighbourhood as if it were a labyrinth, without the fear of getting lost. The camera on our shoulders, we began to walk the streets, in our interpretation of the cinema of reality. Encounter after encounter, life after life, story after story, we ended up shooting the last scene wondering what was its meaning, and we couldn’t find it. Maybe there’s no meaning, maybe there never was. There’s the labyrinth, and there’s nostalgia, which are the fate of many, and perhaps of all of us.