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Director's Statement
Due to the time of the year, we wanted to film the final scene on the very first day of shooting. It was supposed to be summer, but the weather was very unpredictable that day. It was pouring down and the sky was completely gray, but when we were ready to start, the sky suddenly cleared and we were basked in the lovely afternoon sun standing in a field in the countryside, just what photographer Marianne Bakke and I had ordered. We had prepared for a dolly shot going towards Rakel. After the third take Marianne turned to me and said: “There’s your final shot!” and I just nodded. What I saw Kristine do on the first day made me feel confident that we’d be able to complete the movie in the short time we had to film. She just brought out the ambivalence I was looking for, and the sun was perfect.