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Director's Statement
MARIA is a film that presents a destiny. In a desperate situation, a woman chooses prostitution as a last-ditch solution to fend for her seven children. Beyond the implications of this case (real) the film also depicts the struggle against the adversities of a seemingly never-ending, most scarring transition. Ion (Maria's husband), Milco, Mala are characters who try to make a change in their lives. In fact, for them this change means nothing more than survival.
Unemployed people, prostitutes who accost truckers at road junctures, tenants of flats who can no longer pay for their maintenance, two-bit crooks, all live a chaotic, ruthless, most of the time unfair life. Still, responsibility, friendship, and even love are not absent from the picture. Yet none of the characters can actually alter their destiny. With the exception of MARIA. Moved by her plight, the authorities decide to come to her assistance. But this tiny flicker of hope soon dies out. And disappointment turns to tragedy. MARIA will pay with her life for a moment of dignity.
The film brings into the limelight a "tragic" guilt that in a way is redeemed by the power of sacrifice.