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Director's Statement
When I first read about Maria Theresia Paradis, I fell in love immediately. I am fascinated not only by her character - this gifted and sensitive, big, blind, and not too attractive child who is shoved around by her parents and by society - but also by the glimpse her story provides into the bourgeois and aristocratic society of Rococo Vienna. MADEMOISELLE PARADIS tells the tale of a social system based on prohibitions and repression, and of women who try to come to terms with it and find their own space and freedom within its restrictive structures.
Thus, I understand MADEMOISELLE PARADIS not as an escape into the aesthetics of the past, but as a variation on a perpetual and deeply human issue: the constant tension between subordination and adaptation on the one hand, and the determination, on the other hand, to rise above the ordinary.
Beyond that, I want to take the audience on an emotional and sensual journey that challenges the concept of genius in the context of an historical narrative, and that draws our attention to our own often subconscious sensations and their significance in our own lives.
MADEMOISELLE PARADIS is about what and how we see, and about when and whether we should trust what we see.