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Director's Statement
"I learnt to look at Italy contemplating its landscape from trains, rediscovering time after time its beauty and its ruin. I have often thought about making an itinerant film that would cross the provinces to describe Italy: beautiful, yes, but lost. Leopardi described it as a woman crying with her head in her hands due to the burden of history, the atavistic evil of being too beautiful.
When I chanced upon the Royal Palace of Carditello and the fairy tale – because it really is a fairy tale – of Tommaso, the ‘Angel of Carditello’, a shepherd who sacrificed everything to dedicate many years of his life to look after this abandoned artistic asset, I saw a powerful metaphor for what I felt compelled to describe. Following the premature and sudden death of Tommaso, BELLA E PERDUTA –initially conceived as a ‘journey through Italy’ intended to touch upon other regions – became a different film, marrying fairy tale and documentary, dream and reality.
Carditello is the symbol of a lost beauty and the struggle of an individual, an orphan who refuses to surrender to a rotten mechanism of destruction and decay. And at the same time this story, deeply rooted in our country’s history, examines a subject which has never been so universal: the relationship between man and nature. "