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Director's Statement
An Icelandic volcano erupted and an idea was born: let’s drop a Belgian King in Istanbul, stir up a natural disaster, spark a political crisis and then launch him on a homeward overland journey, incognito, that features trip-ups, show-downs and moments of grace.
Displacement as the essence of comedy, in other words.
The challenge was how to actually tell this tale ... The Royal Palace hires Duncan Lloyd, a Brit, to upgrade the King’s dull image. Lloyd’s lens is the sole prism through which we experience these six extraordinary days in the life of a King. And what about Belgium, a complicated little country that specializes in surrealism and compromise? The ongoing political turmoil in our peanut kingdom and Europe's ever-deepening identity crisis were a key source of inspiration. But the political tangent of the film remains secondary to the inner transformation of the King as he savors his anonymity and begins to discover his genuine yearnings. To enhance authenticity and spontaneity we often invited the actors to improvise. And we filmed chronologically. The situations become increasingly outrageous but actually remain delightfully believable.
The result is KING OF THE BELGIANS, a road movie about a wayward monarch profoundly lost in the Balkans.