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Director's Statement
I first met with Duarte last spring when I was casting non-professional blind actors in Portugal for my first feature film (currently in development). I literally had a crush on him. We both felt the strong desire to experience cinema together. I invited him to Paris to shoot two scenes of my feature film for a program called emergence. It was the perfect opportunity for Duarte to perform in front of a camera for the first time and for us to get to know each other better. I then spent more time writing my feature. But my urge to shoot a film started to grow. That’s how the idea to write a film for Duarte came up. A documentary portrait built around his real taste for literature, his creativity, and starting from a situation he confessed to me. I indeed asked him why he spent so much time in the library. He answered that it was where his friends were. That he often spoke to them. I soon decided to use this witty confession as a starting point of my story. One of Duarte’s conditions to make this film was that it became a fiction: "Biographies are boring," he told me. That’s how the film navigates between reality and fiction, with a strong documentary background with Duarte’s real environment (the institute for blind people, its library that he is really managing, and his voice-over). Fiction comes slowly as we go out on the beach and to Lisbon at night (still with a documentary background).