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Director's Statement
It took almost four years to make this film. The period that separates us from the events in the story is a mere 160 years, but for myself, the film crew and the actors it was a journey to a very different and almost entirely forgotten Germany, a country disfigured by crippling poverty. Now we have completed the film, I feel the immense boon of living at a time when liberty and enjoyment are things that everyone can legitimately claim to be theirs by right. It takes a huge effort of the imagination to realise that less than a century and a half ago people in our country were forced to eke out a living for themselves under conditions that are almost unparalleled anywhere in today’s world. For a time, working on this film upended our customary perspectives. From Schabbach we trained our gaze on present-day life with the eyes of an outsider and it was frightening to see how apocalyptic the consumerism, egocentricity and exaggerated pretensions of our fragmented society suddenly appeared to be. Indeed, one of the effects of DIE ANDERE HEIMAT is perhaps to prompt the audience to pause for a while and experience the very different rhythm that enabled our ancestors to survive. Deep down, it may still be the true rhythm of our hearts.