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Director's Statement
I always strive to make a film that is both entertaining as well as meaningful for an audience. My early
work began in television with thrillers and dramas, and social and political themes ran through it like
words through a stick of rock. When Hollywood came calling I resisted initially, primarily because
most of the scripts that got sent my way could not compete with the scripts I was getting offered in
television. Then everything changed, and I was introduced to JK Rowling and her magnificent and
magical world. A world in which there was an escape to entertainment, but also a celebration of some
essential core values, love, loyalty, tolerance, understanding and a celebration of the outsider, the
other.
THE CRIMES OF GRINDELWALD is the sixth film in JK’s world, in a journey that has been enormously
involving and great fun, and it charts the rise of an ideology (held by Grindelwald) that seeks to pull the
world apart. In opposition to that, our protagonists fumble and find their way, facing up to the
darkness in the best way they know how, by standing together.
I orchestrated the film to allow time with multiple characters and ideas, in a way that served both the
immediate narrative and the bigger story unfurling across several films. Above all I wanted to preserve
that balance, to entertain and to reflect the world around us, in a way that felt relevant and resonant.