This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.
Privacy Overview
Strictly Necessary Cookies
Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.
If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.
3rd Party Cookies
This website uses Google Analytics to collect anonymous information such as the number of visitors to the site, and the most popular pages.
Keeping this cookie enabled helps us to improve our website.
Please enable Strictly Necessary Cookies first so that we can save your preferences!
Director's Statement
“Devilish Woman” is an old theatre play about two men and a woman involved in an emotional triangle which spirals out of control. I searched a long time for a key to adapt this century-old drama to the modern world and was overjoyed when I discovered a microcosm, even unknown to most Austrians: the area along the former “Iron Curtain”, the historical no man’s land between East and West, an untouched floodplain of forest and swamp, where not so long ago soldiers, smugglers, and refugees struggled to survive. This unique atmosphere and the unspoiled wilderness became a sort of fourth character in the drama. It influenced the script, the actors, and the entire project - a story about love and betrayal, and the fact that a common language between men and women has not yet been invented.