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Director's Statement
A friend of mine gave me the novel Cidade de Deus by Paulo Lins, with the idea to turning its 600 pages into a film. I didn't give it any thought at all. I knew that the book was about the beginnings of drug dealing in Rio de Janeiro, a violent story, without hope, which took place entirely in a favela. I never used cocaine, I wasn't interested in the subject, I knew very little about how the favelas or drug dealing were organised and I was never going to leave my family in Sao Paulo to shoot a film in Rio.
I decided to read the book anyway, intrigued by its great critical acclaim. By the time I got to page 100, I had to agree with my friend that the story was very interesting. From page 200, I began to underline a few words here, a few words there. By the end, I had the whole list of film locations and character roles noted down on the inside cover and felt completely involved in the project. I am aware today that I never decided to adapt the book, it was the book itself that took me hostage, demanding to be adapted to film.
Reading the book was a revelation - the revelation of another side of my country. I had already, of course, read books and articles on favelas and drug dealing and believed I knew something about the social apartheid which exists in Brazil, but the book somehow managed to go way beyond this, transforming the vision of this particular universe inside out. The author, Paulo Lins, was raised in the Cidade de Deus favela and practically wrote the book watching as the characters passed by his window. The litany of lives cut down in the midst of their youth, and the acceptance of this violent reality by those living it, was what most struck me and compelled me to film the project. A 16-year-old kid knows that his best years are behind him, that he'II be lucky to last another three or four. He knows he's going to die early and he faces this death, accepting it as inevitable. The wasting of lives is the theme of the film.