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Director's Statement
More than a film about a medical condition, “Blind” is about our inner lives – the beautiful, ugly and sexual thoughts and feelings boiling under the surface in us all, blind or seeing. Blindness seems to lead straight into that inner world. Objective reality looses some of its hold over the imagination, it’s harder to keep thoughts in check.
I wanted the film to be a celebration of creativity, of storytelling, the urge to manipulate in order to create something beautiful, funny, interesting and even touching, our need to invent stories to make sense of the world and our inner turmoil.
At the same time I found blindness gave me a take on the exaggerated importance of the visual in the modern world, how we are bombarded with pictures, our obsessive preoccupation with our image, our desire to see and to be seen and desired.
Since we live in a flood of visual clichés I felt an obligation to try something a little different. To try and pull us out of our viewing habits and see things afresh, to see ourselves and the world we live in in a new and slightly twisted way.
And paradoxically, dealing with blindness, I felt I had the possibility to take advantage of the whole range of cinematic tools. For what is closer to the essence of the art of film than the theme of seeing/not seeing? Light and darkness? To observe or be observed?