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Director's Statement
Bruegel the Elder: Among his other Renaissance masterpieces, the sixteenth century Flemish artist painted an exquisite landscape entitled “Hunters in the Snow”. From a snowy hilltop overlooking a small Flemish town, we see villagers skating on a frozen lake in a valley. In the foreground, three hunters and their dogs return from a successful hunt. Above them, perched on the naked branches of a tree, three birds curiously observe the endeavours and pursuits of the people below. Bruegel specialised in detailed landscapes populated by peasant and frequently adopted the sweeping perspective of a bird to tell a story of society and human existence. His oeuvre also contains fantastical allegories of man’s vices and follies, using flawless satire to express the tragic contradictions of being. In his painting, “Hunters in the Snow”, the birds appear to be speculating: “What are the humans doing down there? Why are they so busy?” A PIGEON ON A BRANCH consists of a birds’s panoramic view of the human condition, in which the bird not only reflects on human existence but also worries deeply about it, as I do myself. The pigeon is astonished that humans do not see an approaching apocalypse, though it is in man’s ability to avoid destroying the future for themselves. A PIGEON ON A BRANCH shows the looming apocalypse and offers the possibility to believe in our capacity to avoid it.