Aleksandr Sokurov

On the occasion of this year’s 30th European Film Awards (EFAs) and in recognition of a unique contribution to the world of film, the European Film Academy takes great pleasure in presenting Aleksandr Sokurov with the LIFETIME ACHIEVEMENT AWARD for his outstanding work in the field of directing, dramaturgy and cinematography.

 

Having first graduated in History, Aleksandr Sokurov started out making various TV films and documentaries and then studied at the Soviet Union’s famous VGIK film school. All films created by Sokurov during the Soviet period were banned in the USSR. One of his first feature-length films, MOURNFUL UNCONCERN, was in competition at the Berlinale in 1987, and in the same year his film THE LONELY VOICE OF MAN, his 1978 debut which was prohibited in the USSR, won the Locarno Bronze Leopard and the FIPRESCI Award at the Moscow IFF. When the very first EFAs were celebrated in what was then West-Berlin in 1988, he was nominated with DAYS OF ECLIPSE in the category “Best Young Film”. He was again nominated for the EFAs in 2001 with ELEGY OF A VOYAGE, this time in the category “European Documentary”.

 

His epic MOTHER AND SON premiered at the 1997 Moscow IFF and received various awards, among them the Vatican’s Tertium Millennium Award. The film was followed by FATHER AND SON, the second part of the still not completed trilogy which won the FIPRESCI Award in Cannes in 2003.

Aleksandr Sokurov’s tetralogy on the effects of power was also recognised across Europe and the world: The first one, MOLOCH, about Hitler, was in competition in Cannes in 1999, awarded for the Best Screenplay, and also EFA-nominated. The second, TAURUS, about Lenin, where Sokurov was also director of photography, again premiered in Cannes in 2001, and received the Russian NIKA Awards for Best Film, Director and Cinematographer. The third, THE SUN (2005), about the Japanese Emperor Hirohito – again with Sokurov as cinematographer, was in competition in Berlin and received the Russian NIKA Award for Best Screenplay. Finally, the film FAUST received the Golden Lion in Venice in 2011, the Ecumenical Jury Prize and the NIKA for Best Film.

 

He stunned film-lovers and critics alike with his 2002 Cannes entry RUSSIAN ARK which was filmed in a single shot. The film was EFA-nominated and won the NIKAs for production and costume design. Sokurov was also awarded the Robert Bresson Award in Venice and the Vittorio De Sica Award.

 

Meanwhile, he keeps filming documentaries in Russia – a recurring theme in these being the military world of the former USSR. From 2011 until 2016 he taught Cinema at the Kabardino-Balkarian State University in the North Caucasus where he opened his workshop for young filmmakers from the region. For several years, his foundation “Example of Intonation” has been identifying talented young people, collecting funds, and launching films of new directors. As a respected public figure, he also created “Sokurov’s Group for the Protection of the Cultural and Historical Image of Russian Cities”.

 

In 2015, he presented in competition at the Venice IFF FRANCOFONIA, his film about the French Louvre during the Nazi occupation, awarded with the Fedeora Award and the Fondazione Mimmo Rotella Award.

 

As a writer and director, Aleksandr Sokurov continues to be an important and inspirational voice in Russian and European cinema, not just artistically but also through his courageous commitment for the freedom of speech and artistic expression and humanistic values.

 

He will be an honorary guest at the 30th European Film Awards Ceremony on 9 December in Berlin – streamed live here.

Since its successful pan-European launch in November 2022 Europe’s own film and award season, the Month of European Film has been growing continuously: Starting with 35 partners from 35 countries in 2022, the Month of European Film collaborated in 2024 with 108 partners from 42 countries. The number of screenings of European films within the initiative rocketed from 1,553 in 2022 to 9,310 in 2023 to 16,140 screenings in the 2024 edition. Admissions increased from 61,199 in 2022 to 164,206 in 2023 to almost half a million admissions (467,697) in the last year. The participating partners reported that their activities during the Month of European Film increased audience interest in European films and it also makes them want to programme more European films in the future. This is the result of an evaluation with the participating partners of this unique initiative.

“The European Film Academy senses growing interest in Europe for an ‘award season’ celebrating the best European cinema has to offer,” says Mattthijs Wouter Knol, Academy CEO and Director. “With the Month of European Film we build a network and a window for the simultaneous celebration of European cinema and to bring the diversity of European film closer to home for many people: first of all to their local cinema. Only three years into the initiative we are proud and happy that the Month of European Film is becoming more and more visible across Europe and is attracting a significantly growing number of visitors from Norway to Malta, from Portugal to Georgia. In the upcoming years until the European Film Academy’s 40th anniversary in 2028, we will further build a European ‘award season’ with our partners. It is time to deepen the awareness of European film culture. It is time to bring us as Europeans closer together through the culture and values we share: cinema has that power.”

Feedback from the audience regarding the Month of European Film was also very positive: The partners reported that in an audience survey cinema visitors from across Europe saw the Month of European Film as an important celebration of European culture. They said the Month of European Film has raised their interest in European films significantly and that they would like to see more European films. It also made them feel more united with fellow Europeans.

This year, the Month of European Film will start with the nominations announcement on Tuesday 18 November 2025, with cinemas all over Europe offering a tailor-made programme for their local audience. The Month of European Film will have its grand finale on Saturday 17 January 2026 with the celebration of the European Film Awards in Berlin.

The Month of European Film is an initiative of the European Film Academy supported by the Creative Europe MEDIA Programme of the European Union, in co-operation with Europa Cinemas, CICAE, MUBI, DAFilms, Festival Scope, as well as numerous other European and local partners.

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